Art practice | Creativity | Conscious living
Keeping an art practice alive
Eight short audio steps on keeping a real art practice alive alongside a full life of work and responsibilities.
Almost everyone used to make things as a child, freely and badly and joyfully, and then somewhere along the way stopped, not from lack of talent but because the gap between taste and skill became too painful to sit in.
I run companies and I also paint, and almost everyone assumes the painting is the hobby that gets dropped first. It is not. It is the thing that keeps the rest of me awake and whole.
This is the quieter workshop, closer to the bone, for anyone who used to make things and wants to begin again and actually keep it alive this time.
Who it is for
- ·People who used to draw, paint, or make and quietly stopped, and miss it.
- ·Founders and busy makers who want a creative practice that survives a full life.
- ·Anyone whose inner critic killed their art and wants permission to begin again badly.
What you get
·Eight short audio lessons, each with a written transcript.
·Permission to be bad, and why that is the whole foundation.
·A tiny daily practice you can protect and keep for years.
·A way to hold money, sharing, and the taste gap without quitting.
The steps
8 steps
- 01
Why make art when nobody asked you to
The real reasons to make things as an adult, none of them about fame. How a practice keeps you awake and feeds everything else you do.
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- 02
Giving yourself permission to be bad
The single biggest killer of adult art practices is the demand that it be good. Full permission to be bad, on purpose, for as long as it takes.
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- 03
Practice over inspiration
Why waiting for inspiration is a trap, and how a small, regular practice is what actually sustains a creative life over years.
In production
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- 04
Protecting the time
Your life will come for your practice. How to find and fiercely guard the pocket of time the world has the least claim on.
In production
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- 05
The gap between taste and skill
The painful distance between what you can see is good and what your hand can do yet, why it means you have taste, and how to live in it without quitting.
In production
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- 06
Finishing things and letting them be seen
Finishing as its own skill, and how and when to let your work be seen without handing the keys to your practice to strangers.
€4
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- 07
Money and art, without poisoning either
The two opposite ways money poisons art, and how to hold them apart so the work stays free and the bills still get paid.
€4
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- 08
Making art a life, not a career
The real goal is not an art career but a whole life with art permanently in it. What that looks like, and how to keep it for decades.
€4
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Whole workshop bundle
3 of 8 steps are recorded so far. The bundle unlocks once every step is ready. Buy the steps you want individually in the meantime.
Questions
- Do I need any talent or training?
- No. This is about keeping a practice alive, not about being good. The whole second step is permission to be bad, which is where everyone has to start anyway.
- I have no time. Is this realistic?
- Yes. The practice we build is tiny on purpose, small enough to survive your worst week, and one full step is about protecting that little pocket of time.
- Can I skip around?
- Yes, each step stands on its own. The order is simply how I would walk a friend back into making things.
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